Julien Masson’s art is inspired by CG aesthetics but also arcs back to random events and the chaotic unpredictability of the physical world. He makes tableaux, sculpture and objects in public space redolent with the haptic textures of both technology and nature.
Kinglsey Ash - Artist
Kingsley Ash is a freelance computer artist whose work explores technology-enabled music performance and interactive installations. Current interests include the investigation of environmental processes through sound and interactivity as well as a range of projects that seek to enhance the unique qualities of the human voice through playful interactive artworks
Yvon Bonenfant - Artistic Director
Yvon Bonenfant began experimenting with the voice on stage in his early 20s. At the time, he collaborated with Geraldine Morita (link to Mile Zero Dance) in a choreographically-led stage company. Since then, he studied experimental theatre and music, extended voice technique, bel canto singing and installation art, many somatics trainings including body psychotherapy training, and has had artworks, presentations and talks take place in 14 countries. Located in Europe since 2002, he has made touring shows, installations, published and spoken widely, often in collaboration. Increasingly, these teams include scientists and engineers. He holds academic appointments at University College Cork (Ireland) and the University of Winchester (link to UCC academic profile). He has been a Laureate of the Wellcome Trust Public Engagement Large Arts Awards. Two years ago, he gave long-form keynotes at both the British Voice Association Voice Clinics Forum (the key UK voice medicine conference) and at the Imaginate (Edinburgh) Children’s Festival to producing delegates. For his academic profile see this page.
Mary Paterson - Evaluator
Mary Paterson is a writer, producer and arts evaluator who works with interdisciplinary arts. She is the co-author, with Elizabeth Lynch and Rajni Shah, of Dear Stranger: I Love You (Live Art Development Agency and Lancaster University Press, 2013), on experimental forms of art evaluation. Mary has been Chair of the Board of the theatre company Extant since 2018. marypaterson.wordpress.com
